{"id":14030,"date":"2026-09-15T15:14:33","date_gmt":"2026-09-15T13:14:33","guid":{"rendered":"https:\/\/qwien.at\/?p=14030"},"modified":"2026-09-15T15:18:01","modified_gmt":"2026-09-15T13:18:01","slug":"lets-misbehave","status":"publish","type":"post","link":"https:\/\/qwien.at\/en\/lets-misbehave\/","title":{"rendered":"Aesthetic Strategies for a Queer-Feminist Theatre of the Future"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;&#8221; padding_bottom_multiplier=&#8221;4x&#8221;][vc_column width=&#8221;1\/3&#8243; column_sticky=&#8221;yes&#8221; column_sticky_offset=&#8221;150&#8243;]<div class=\"grve-element grve-image grve-align-center\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 1684px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 152.019%;\"><img loading=\"lazy\" decoding=\"async\" width=\"1684\" height=\"2560\" src=\"https:\/\/qwien.at\/wp-content\/uploads\/2026\/09\/Buchcover_Fuehren-wir-uns-auf-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/qwien.at\/wp-content\/uploads\/2026\/09\/Buchcover_Fuehren-wir-uns-auf-scaled.jpg 1x,https:\/\/qwien.at\/wp-content\/uploads\/2026\/09\/Buchcover_Fuehren-wir-uns-auf-scaled.jpg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n<div class=\"grve-empty-space grve-height-1x\"><\/div><div class=\"grve-element grve-image grve-align-center\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 600px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/qwien.at\/wp-content\/uploads\/2026\/09\/Ackerl-Konstantin_c-Marcel-Ambrusch.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/qwien.at\/wp-content\/uploads\/2026\/09\/Ackerl-Konstantin_c-Marcel-Ambrusch.jpg 1x,https:\/\/qwien.at\/wp-content\/uploads\/2026\/09\/Ackerl-Konstantin_c-Marcel-Ambrusch.jpg 2x\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243; full_height=&#8221;yes&#8221;]<h2 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>F\u00fchren wir uns auf! (Let&#8217;s Misbehave!)<br \/>\nAesthetic Strategies for a Queer-Feminist Theatre of the Future<\/span><\/h2>[vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"font-weight: 400;\"><strong>Reading &amp; Presentation with Katrin Ackerl Konstantin \u2013 Thursday, October 29, 6:30 PM<\/strong><\/p>\n<p style=\"font-weight: 400;\">To what extent can desired representations of gender roles be observed in contemporary theatre, and how are these experienced by performers? What critique must be articulated within the dispositif of theatre? And how can affect and critique be connected in this context? Bridging art and scholarship, Katrin Ackerl Konstantin takes a transdisciplinary approach to stereotypes, sexisms, and hierarchies in theatre. In doing so, she establishes the concept of &#8220;affective queering,&#8221; using it as an aesthetic strategy to open up self-conceptions of normativity to critique \u2014 through the very process of subjectivation itself.<\/p>\n<p>[\/vc_column_text]<div class=\"grve-empty-space grve-height-1x\"><\/div><h2 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Katrin Ackerl Konstantin<\/span><\/h2>[vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"font-weight: 400;\">Katrin Ackerl Konstantin is an actress, director, and psychologist. She completed her doctorate at the inter-university institution Science and Art (Wissenschaft und Kunst) at the Mozarteum University Salzburg and the Paris Lodron University Salzburg. She is the artistic director of the participatory format schau.R\u00e4ume.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>October 29, 6:30 PM<\/p>\n","protected":false},"author":13,"featured_media":14038,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[261],"tags":[],"class_list":["post-14030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","grve-entry-item","grve-blog-item"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Aesthetic Strategies for a Queer-Feminist Theatre of the Future - Blog - Qwien - Zentrum f\u00fcr queere Geschichte<\/title>\n<meta name=\"description\" content=\"To what extent can desired representations of gender roles be observed in contemporary theatre, and how are these experienced by performers? 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