1.0Qwien - Zentrum für queere Geschichtehttps://qwien.at/en/rich600338<blockquote class="wp-embedded-content" data-secret="Ef1LixZMR0"><a href="https://qwien.at/en/lets-misbehave/">Aesthetic Strategies for a Queer-Feminist Theatre of the Future</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://qwien.at/en/lets-misbehave/embed/#?secret=Ef1LixZMR0" width="600" height="338" title="“Aesthetic Strategies for a Queer-Feminist Theatre of the Future” — Qwien - Zentrum für queere Geschichte" data-secret="Ef1LixZMR0" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://qwien.at/wp-includes/js/wp-embed.min.js </script> https://qwien.at/wp-content/uploads/2026/09/Kacheln_Website_Katrin-Ackerl-1.png11201494To what extent can desired representations of gender roles be observed in contemporary theatre, and how are these experienced by performers? What critique must be articulated within the dispositif of theatre? And how can affect and critique be connected in this context? Bridging art and scholarship, Katrin Ackerl Konstantin takes a transdisciplinary approach to stereotypes, sexisms, and hierarchies in theatre.